A person in a red coat facing a large wave, surrounded by rocks and storm light.
COLOR GRADING & FINISHING / SINCE 2002SÃO PAULO WORLDWIDE

COLOR GRADING · HDR · DOLBY VISION

Color changes
how you feel.

Color grading for cinema, commercials, music and television.
Your cinematography is the starting point. Created together, in the grading suite or remotely.

Request a quote View portfolio
COLOR GRADING · DOUGLAS GUEDESOne vision. Many visual languages.
01 — STORM
↓
Stage and audience between blue and amber light.COLOR GRADING / DOUGLAS GUEDES

Reel 2026

COLOR GRADING REEL / 2026 / 02:08WATCH WITH SOUND ↗

One vision. Many visual languages. A selection of color, light and atmosphere by Douglas Guedes.

2002COLORIST SINCEDolby Vision ↗FIND DOUGLAS GUEDESCinema · TV · StreamingA CAREER ACROSS SCREENSAcross borders LIVE COLOR SESSIONS
SELECTED CREDITS / STAGE AND TELEVISIONMUSIC · STREAMING · TELEVISION

Stories
you already know.

From cinematic experimentation to the energy of a live stage. A career in color spanning formats, genres and generations.

THE MASKED SINGER BRASIL · IN MOTIONWatch the opening on Globoplay ↗

Color grading since 2002.

A vision guided by the intent of the cinematography, from the first shot to the master.

ALSO IN THE PICTURE

Canta Comigo · Zizi Possi · Roupa Nova · Zeca Baleiro · Documentaries · Sesc · Commercials

CINEMATOGRAPHY AS THE STARTING POINTFROM LOOK TO DELIVERY

Your intent.
Created together.

We begin with references and the intent of the cinematography. An initial look sets the direction; reviews keep the team close to the image.

Douglas Guedes

Before proposing a look, I want to understand what needs to stay true in your image — and what you want the audience to feel.

DOUGLAS GUEDES · COLORIST AND FILM EDITORExplore my background ↗
LOOK DEVELOPMENT / ON SET

Color can begin
on set.

When the project calls for it, I also join shoots to develop look previews and LUTs with the cinematographer. With DaVinci Resolve, a grading panel, iPad and monitoring, we explore skin tones, contrast and palette as the images take shape.

This is an optional stage, tailored to the client and production. Preparation, time on set and deliverables are agreed in the proposal.

Discuss on-set support
01 / LISTEN

Understand before adjusting.

Director, cinematographer and producer align on atmosphere, references and what the image needs to preserve.

02 / CREATE

One direction, shot by shot.

Skin tones, contrast, light and continuity between scenes, with review points agreed with the team.

03 / DELIVER

Clarity through to the master.

Scope, revisions, schedule and deliverables are defined in the proposal. Join remotely or in person.

Tell me about your project ↗
REMOTE SESSION / BLACKMAGIC REMOTE MONITORSÃO PAULO ↔ WHEREVER YOU ARE

The same image.
From anywhere.

A good conversation about color can happen across any distance. Follow the image, feel the light change and shape the decisions in a live session prepared for your team.

A portrait in amber and copper tones, with delicate contrast on the skin.
DOUGLAS GUEDES / COLOR GRADINGONE SHOT. ONE CONVERSATION.
YOUR SIDE OF THE SESSION

Look together.
Decide together.

So many stories reach their audience in the palm of a hand. Today’s high-quality displays open new ways to experience an image, including HDR on compatible devices. Blackmagic Remote Monitor brings you picture and sound from DaVinci Resolve as the look takes shape and we talk through each adjustment.

  • Setup guidance and a test before we begin.
  • Live adjustments, with room to explore.
  • The look, revisions and next steps agreed with the team.
Plan a remote session See how it works
01 / ON YOUR PHONE OR TABLET

Your eye, part of the process.

Join on an iPhone, iPad or another compatible device. We guide the display setup and test the connection beforehand, so you can settle into the conversation.

02 / ON YOUR STUDIO’S MONITORS

Your suite joins the session.

Your team can receive picture and sound on a computer and watch on its own monitors. With a compatible setup, a Blackmagic DeckLink or UltraStudio output feeds your studio’s display.

03 / WITH YOUR EDITORIAL TEAM

One connected project.

For teams editing in DaVinci Resolve, we can arrange collaboration through Blackmagic Cloud: a shared project, synced media and agreed access. The workflow fits the way you already work.

Together, we choose the simplest path for your project. Explore the ways to join ↗

CARE AT EVERY STAGE

Quality is also
a process.

Stream quality, display and viewing conditions are prepared together. For HDR and Dolby Vision, we agree on a suitable monitoring chain and where technical approval will take place. You know how to join; we take care of the preparation.

Explore the full process ↗
GRADING SUITE / FACILITIESTECHNOLOGY IN SERVICE OF THE IMAGE

Precision to see.
Freedom to create.

A professional environment for exploring the image with time and attention. From monitoring to processing, every tool supports the cinematography’s intention and the care behind the final delivery.

01 / PICTURE

Sony BVM-HX3110 and ASUS ProArt.

4K HDR reference monitoring with the Sony BVM-HX3110, alongside ASUS ProArt displays, for examining skin, contrast and highlights. The setup follows the color space and intended destination of each version.

02 / CONTROL

Blackmagic Design color panels.

DaVinci Resolve Studio with Blackmagic Design color control panels: precision in each gesture and fluidity in the session. Refined adjustments, exploration and shot matching, with hands-on control.

03 / PERFORMANCE

Processing power and room for your project.

High-performance workstations and storage dedicated to the work. Originals, versions, processing and retention are planned around your production’s volume and deliverables.

Explore my background and Dolby Vision training.

Meet Douglas ↗
02 / DOUGLAS GUEDESCOLORIST · SINCE 2002
Portrait of Douglas Guedes wearing headphones, in graphite tones.
COLOR GRADING
SINCE2002
DOUGLAS GUEDESONE VISION. MANY VISUAL LANGUAGES.
BACKGROUNDScroll to read

Technology in the process.
Sensitivity in the vision.

I'm Douglas Guedes. Since 2002, I have worked with color as part of the narrative — in cinema, television, commercials, documentaries and music.

I am also a professionally registered film editor in Brazil (DRT). My approach to color considers rhythm, continuity and the relationship between shots — each image within the work as a whole.

Depending on the client and project, this collaboration can also begin on set, with color previews and LUTs during filming.

My time at TV Cultura began with color correction for its archive and expanded into grading the broadcaster's productions. It was also there that I worked on the Direções project, exploring visual language with filmmakers and theatre directors.

Over the years, I have worked with Assimilate SCRATCH, Apple Color in the Final Cut ecosystem, and DaVinci Resolve from its early days. Technology evolves; the commitment to the image's intent remains.

My work spans shows and DVDs by Daniel, Zizi Possi, Roupa Nova and Zeca Baleiro; programmes such as Canta Comigo and The Masked Singer Brasil; and cinema, documentaries and productions for production companies, Sesc and television advertising.

I also grade shows by Deive Leonardo and Whindersson Nunes available on Netflix, with experience in HDR. I am a Dolby Vision certified colorist.

Dolby VisionCERTIFIED COLORIST
Find Douglas Guedes on Dolby ↗Let's create the next image
AT TV CULTURA / DIREÇÕES

Theatre and cinema.
New directions in television.

A partnership between TV Cultura and SescTV, Direções opened a space to explore the language of television drama. Cinema, theatre and Brazilian stories came together in works with distinct ways of telling a story.

During my time at TV Cultura, I worked on color correction for productions in the project. It was a journey of visual exploration with directors such as Eliane Caffé and Beto Brant — from reading the footage to shaping the atmosphere of each story.

In O Louco dos Viadutos, Eliane Caffé brings fiction together with people from the Garrido-Boxe project beneath a São Paulo overpass. The four-part miniseries from 2009 is part of this meeting of television and cinema.

O Louco dos Viadutos · the work ↗About the Direções project ↗
Artwork for O Louco dos Viadutos: an overpass drawn by Carla Caffé against an orange background.
O Louco dos Viadutos · Eliane Caffé, 2009.
Artwork by Carla Caffé, featured on the director's website.
THE PROJECT'S PHASES · 2007–2009

Works and directors

30 works
19 directors
Direções I · 2007
Theatre meets television

16 television plays, curated by Antunes Filho.

  • O Vento nas JanelasRodolfo García Vázquez
  • VestígiosSamir Yazbek
  • Hoje Sou Um, e Amanhã OutroGeorgette Fadel
  • Os CegosMaria Thaís
  • Fellini sobre as ÁguasBete Dorgam
  • As Duas HistóriasBeth Lopes
  • O Encontro das ÁguasSérgio Ferrara
  • A Luz da Outra CasaMaucir Campanholi
  • O Cego e o LoucoDébora Dubois
  • O EspelhoPedro Pires
  • Billy, a GarotaMário Bortolotto
  • Valor de Troca ou Senhorita LSérgio de Carvalho
  • PáriaEduardo Tolentino de Araújo
  • Quando as Máquinas ParamMarco Antônio Braz
  • Zona de GuerraAndré Garolli
  • HomelessFrancisco Medeiros
Sources for this phase
Direções II · 2008
New approaches to visual language

Eight directors from the first phase developed new television plays.

  • A NoivaRodolfo García Vázquez
  • O FingidorSamir Yazbek
  • Uma Escada para a LuaBete Dorgam
  • O TelescópioEduardo Tolentino de Araújo
  • Vou-meGeorgette Fadel
  • A Longa ViagemAndré Garolli
  • O Homem do SacoDébora Dubois
  • RéquiemMaucir Campanholi
Sources for this phase
Direções III · 2009
Theatre and cinema in six miniseries

Three filmmakers and three theatre directors; four episodes per work.

  • O Louco dos ViadutosCinemaEliane Caffé
  • Além do HorizonteTheatreRodolfo García Vázquez
  • Unidos do LivramentoTheatreMaucir Campanholi
  • O Amor Segundo B. SchianbergCinemaBeto Brant
  • João MiguelTheatreAndré Garolli
  • Trago Comigo — the seriesCinemaTata Amaral
Sources for this phase
02 / LOOK DEVELOPMENTCOLOR GRADING · DOUGLAS GUEDES

Color portfolio(24)

Color, contrast and atmosphere. Explore the images and choose references for your project.

24 images
03 / INSIDE THE COLORDRAG. COMPARE. FEEL.

Watch color
come to life.

Different intentions. New ways to feel an image.
Drag to feel the difference.

WORLDS OF COLOR

Cobalt

Portrait
Cobalt · Amber portrait. Amber and copper bring the face closer. Contrast gently embraces the skin.
Cobalt: a soft, low-contrast base with lifted shadows, compressed highlights and muted colors.

Amber and copper bring the face closer. Contrast gently embraces the skin.

01 / 24
THREE READINGS OF THIS IMAGE.

Light, contrast and texture shape the look. SDR preview.

About the look

Color grading by Douglas Guedes. Explore contrast, palette and atmosphere across three interpretations of each image. SDR preview.

04 / LET’S TALKSÃO PAULO · PROJECTS WORLDWIDE

What will your next
image make us feel?

Tell me about the project, its length and your deadline.
The proposal is shaped around what your images need.

Request a quote

FROM FIRST CONTACT TO DELIVERY

A close collaboration.

We align on intention, material, schedule and deliverables. Follow the grade live, through review versions or in the suite.

How we’ll work together
DOUGLAS GUEDES / COLOR GRADING

Reel 2026

DOUGLAS GUEDES · REEL 2026 · 02:08 · SDRDownload reel ↓
EXPERIENCE / COLOR GRADING

Let’s talk about your project ↗