LIVE SHOWS / MUSIC / MULTICAMERA TELEVISION
Many cameras. One performance, carried through every cut.
Color grading and color correction for concert films and multicamera television. From the wide shot to the face that holds the emotion, color follows the edit and the lighting while keeping the performance connected.
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- Experience
- Daniel 40 Anos · The Masked Singer Brasil · Deive Leonardo
- Capture in the featured projects
- 12 RED or Blackmagic cameras, depending on the project
- Delivery
- Versions and specifications agreed in the proposal
Continuity that respects the lighting design.
A color change may be part of the performance. Another may come from a difference between cameras. Understanding that context comes first: organizing the image and building relationships between shots while preserving the cinematography and lighting intent.
The whole stage, the detail and the skin.
Screens, costumes, beams and faces share the frame. Grading considers their relationships: intensity and detail, presence and depth, the scale of the show and the intimacy of the performer. Editing creates rhythm; color continuity helps that rhythm flow.
SDR and HDR with defined destinations.
The brief establishes delivery formats, references, monitoring and approval responsibilities. The featured experience includes HDR deliveries. Each new production needs its own finishing plan; additional versions and broadcaster or platform specifications form part of the scope.
LET’S TALK
Let's find the color identity of your next performance.
A summary, a reference, a deadline. We will find the next step together.
Discuss a show or television project Explore the process →